2006: Technical Awards Strong Opinion

1. PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST
I loved the effects of the pirates. Here, the top several times themselves. I could only focus on the wonder that is Davy Jones, Marvel Digital head to toe with the realism of only King Kong and Gollum. Add to that the crew of the Jones', his ship and his pet Kraken, and you have the most complex and detailed than this year.

2. Nightwatch - imagination that produce the effects of the most original of this year.

3. La Fontaine - very little CGI. Large futuristic images.

4. Pan's Labyrinth - fantasy and reality seamlessly stitched together.

5th Mission: Impossible 3 - More Effects you think Add a danger to the incredible stunts.

Best Make Up


1. PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST
Again, a level of detail and imagination that surpassed anything I've seen in years. Layer beloved marine life slowly formed Bill bootstrap.

2. Pan's Labyrinth - A good work of Pan and the Pale Man injured brutal face.

3. X-Men: The Last Stand - Some new creatures to the mix.

4. The Descent - Love is not just a family thing, but women still bloody.

5th HOSTEL - It was my voice to the eye alone gag. Best body parts.



BEST MAKE UP
1. DREAMGIRLS
Time image, which covers a series of cultural events in black history that gives women in dozens of fabulous. I also think they did a job on Eddie Murphy. He looked older and much less friendly.

2. THE PROPOSAL - A symphony of sweat, dirt and blood.

Third Curse of the Golden Flower - theatrical, stylized and beautiful.

4. CASINO ROYALE - A man who cries blood, the beauty of Eva Green, Bond and numerous facial cuts costs.

5. THE SOURCE - 3 periods. Three different views come to life.



BEST SOUND
1. V FOR VENDETTA
The film released with multiple arguments constantly and sounds of a crisp balance. Everything is a little stronger, knives black bags for the sounds of Evey is in jail. Music Plus occasionally pipes through the corridors and cities with a perfect echo.

2. Hard Candy - Increased voice adds excitement of events just out of sight.

3. The Descent - All sounds good, deep, dark cave.

4. CARS - The racing sounds better than Talladega Nights. And small details, such as gas fields in tractor switches.

5. Pirates: Dead Man's Chest - The Kraken star ships. Captain Jack shoots birds and monkeys.



BEST SCORE
1. THE FOUNTAIN
The New Age The Fountain score divided into as many people as the film itself. The music is very evocative and often silent, but steady presence, especially in the futuristic scenes. And 'relaxing and construction of the tension, the film drags in the middle and tie the three stories together.

2. Mission: Impossible 3 - composer of The Incredibles, the latest talent around. The first big score to use the main theme.

3. Little Miss Sunshine - I thought the music is so unusual, as it is catchy.

4th Pirates: Dead Man's Chest - The best focus. The love of the organ in the attack Kraken.

5th Pan's Labyrinth - A lullaby imagination gets a score that fits perfectly.



BEST ART DIRECTION
1. PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST
Now you may be wondering how much I loved bloated sequel of Pirates. I think the first film is a great movie, although it is known about its many engineering marvels. (I try not to reward this $ 250 million you buy, but the best is the best.) Of all the films in this year's Chest was easily one of the most beautiful. Everything was great in the field and filled with small details.

2. Curse of the Golden Flower - The best movie to watch. There are only a couple of songs, but how big series.

3. Dreamgirls - in real time, and place given the correct setting theater.

4th V for Vendetta - a fantasy world, it is only a few fathoms of fascism in our own.

5. Silent Hill - Terrible movie. Set of large size, some of which are both happy and dark side.

They also liked ... Pan's Labyrinth, Children of Men, font, hard candy, and the proposal.



BEST COSTUME DESIGN
1. DREAMGIRLS
This is consistent with the best makeup. You have been a period of musical performances in front of a crowd. I also liked how Effie White was more political and Africanized in her wardrobe, while James Early and Dreamgirls were homogenized in addition to a white audience.

Second The Last King of Scotland - unexpected spot-on wardrobe for a unique moment and place.

3. Pirates: Dead Man's Chest - Many similar complexes with a thick layer of meanness.

4. BRICK - Cinema Black-going in high school. The juxtaposition of the performance-based solutions.

5. THE CURSE OF THE GOLDEN FLOWER - Flamboyant and busty is amazing.

Also wanted to ... V for Vendetta, The Fountain, The Greatest Game Ever Played, and The Prestige, Casino Royale


BEST EDITING
1. V FOR VENDETTA
It was my vision of two, I discovered what a feat of editing V for Vendetta. Beyond the usual slam-bang opening sections and closing film, there is a heavy amount of crossover between events in different places and places in time. This may be the greatest technical achievement of all categories. It hurts more than anything unnoticed.

Second United 93 - The tension has increased and sustained for the duration of operation.

3. Dreamgirls - Flashy musical sequences, does not cut as you may have heard of.

4. Akeelah and the Bee - Grand Assembly and spelling that are exciting to watch.

5th Mission: Impossible 3 - Rush The year the best adrenaline.


BEST CINEMATOGRAPHY
1. THE FOUNTAIN
You could say that the trailer for the movie, even if it sucked, that would be great. It was visual poetry, plain and simple. The camera glides with a frame that is never busy, but hypnotic.

Second Curse of the Golden Flower - Another incredibly beautiful film, but helped many sets.

3. Nightwatch - inspired and enhanced by digital effects. Uses everything from neon lights in the dark.

4. The Proposition - Ugly images, beautifully described.

Fifth Pirates: Dead Man's Chest - Just look at the pictures of Keira opening in the rain. Nice real estate.

Also liked ... Dreamgirls, V for Vendetta, the greatest game ever played, hard candy and brick.

I feel compelled to mention the children of men, that the most likely to win the Oscar for best picture this year. So I think the camera is revolutionary in its complexity, could not but be impressed by the lighting. Apart from escape the sun, most of the films look very natural for me to find a decent price. I know it was a choice and Emmanuel Lubezki is one of the best in the business, but I think my options are films that focus on both the illumination of the camera moves.